I love watching Italy in color, but when it comes to editing Italian photographs, I often tend to make them monochrome, emphasizing the timeless beauty of the environment. In fact, you could stand on the same street or square 50 or even 100 years ago and see the same walls, monuments, and bridges.
This project is my photographic homage to the works of the great cinematographer Luciano Tovoli, the Michelangelo Antonioni’s camera man in “Professione: Reporter/ The Passenger”, one of the greatest films in the history of cinema.
